El telèfon (1989)

Monologue of a woman confronting her memories, which lead her to doubts about her existence. Nothing is for certain in this play. Everything can be truth or lie, dream or reality. The main character does not know if she is herself or the product of someone’s imagination. The play is structured into 12 scenes, classified as snapshots, which merely seek to be, like photographic snapshots, a part of the truth, but never the whole truth.